In the game of poker, the play largely centers on the act of betting, and as such, a protocol has been developed to speed up play, lessen confusion, and increase security while playing. Different games are played using different types of bets, and small variations in etiquette exist between cardrooms, but for the most part the following rules and protocol are observed by the majority of poker players.
Players in a poker game act in turn, in clockwise rotation (acting out of turn can negatively affect other players). When it is a player's turn to act, the first verbal declaration or action she takes binds her to her choice of action; this rule prevents a player from changing her action after seeing how other players react to her initial, verbal action.
Until the first bet is made each player in turn may "check," which is to not place a bet, or "open," which is to make the first bet. After the first bet each player may "fold," which is to drop out of the hand losing any bets they have already made; "call," which is to match the highest bet so far made; or "raise," which is to increase the previous high bet.
All In is a 1936 British sports comedy film directed by Marcel Varnel and starring Ralph Lynn, Gina Malo and Garry Marsh. The owner of a racing stables has high hopes of winning The Derby, but fate intervenes. It is also known by the alternative title Tattenham Corner.
The film was made at Islington Studios by Gainsborough Pictures and based on a play by Philip Merivale and Brandon Fleming.
All In (Hangul: 올인) is a 2003 South Korean television drama series that aired on SBS from 15 January to 3 April 2003 on Wednesdays and Thursdays at 21:55 for 24 episodes. Inspired by the life of professional poker player Jimmy Cha, it starred Lee Byung-hun and Song Hye-kyo in a story about one's man's rise through the fiercely competitive world of casino gambling as he clashes with his rivals over money, success, and love.
The drama was a ratings success in South Korea, with its final episode reaching a peak viewership rating of 47.7%, which is the 42nd highest-rated Korean drama episode of all time. It also won several awards, notably the Grand Prize ("Daesang") for Lee Byung-hun at the 2003 SBS Drama Awards.
Orphaned then taken in by his gambler uncle, Kim In-ha (Jin Goo) often hangs out with his friends in the basement of a movie theater. He unexpectedly befriends Choi Jung-won, a model student and the rich son of the theater owner. In-ha and Jung-won both fall for Min Su-yeon (Han Ji-min), the daughter of the projectionist at the theater.
You Are may refer to:
Trouble in Paradise is the second album released by New Zealand rock band, Elemeno P. A Deluxe edition was later released, featuring the single 2006 "S.O.S".
"You Are" is a song co-written and recorded by American country music artist Jimmy Wayne. It was released in 2004 as the third single from the album Jimmy Wayne. The song reached #18 on the Billboard Hot Country Singles & Tracks chart. The song was written by Wayne, Marv Green, Aimee Mayo and Chris Lindsey.
Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.
The concept of originality is culturally contingent. It became an ideal in Western culture starting from the 18th century. In contrast, at the time of Shakespeare it was common to appreciate more the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".
In law, originality has become an important legal concept with respect to intellectual property, where creativity and invention have manifest as copyrightable works. In the patent law of the United States and most other countries, only original inventions are subject to protection. In addition to being original, inventions submitted for a patent must also be useful and nonobvious.
[Krayzie (Flesh)]
Better not be so quick test us,
(May they lay, they lay, may they lay, may they lay, may they lay)
'cause we'll come to kill ya, now
We'll kill ya, now
[Krayzie]
Aw, triple-platinum, nigga, digga
And still thuggin' with the roughest muthafuckas
in my city, and a nigga wonder, "How they still chillin' like that
Ain't you scared of a nigga that's tryin' to jack ya paper, snatch ya"
No, I really wish a nigga would turn and wanna take what's mine
'Cause I got an AK-47 shootin' trey-O times
You didn't think I'm willing to find a way to say
"Oh, my!" but check it out, though
I done made enough money to buy my ghetto a lot of weapons, y'all
And I made it, takin' out my weed. Here, stay high, nigga
So paranoia is factor when a nigga wanna act up
Nigga figure I'm quiet, then he 1ook at my sawed-offs
And they figure they can try me
Like a muthafucka won't swang back or somethin'
Or even pull a nine out my jacket, and start dumpin'
Fuck 'em, I think a nigga see us on the video and playa hate
And say that we ain't true to what we say
But then again, when you see us on the street and playa hate
We bang them fuckin' brains (we bang them brains)
But then, we switch subject
And fuck with them clones that suck the thug dick
Run around foul, tellin' people we stole your style
Muthafucka, we ain't never been in your town
It's all original when it's comin' from the Cleveland criminals
So here we go, got a gun - should I buck 'em on down
Or should I kill 'em when I put the instrumental on
Why they wanna sound like Krayzie, Layzie, Bizzy, Wish and Flesh
I'm so full anguish
Gotta style so cold everybody and their mama wanna claim it
But they can't get the hang of it
Yeah
[Chorus]
[Flesh]
Beat 'er up and you'll sleep when I step so stone-cold
I chalk 'em, coffin off and they frontin' that time
That they shot a nigga straight to the temple
Done a little bit simpler to me and all bodies start steadily fillin'
Get real high, steady droppin' the time on 'em, time from time and again
Here to pick all that know with the Bone it's a party everyday
So say, "Mo," and it's still this strong to brain
I hop on the phone with the homies to see what's happenin' in the hood
It's all good. Niggas, they thug us, smuggle
Roll so deep in they own cut, but they gon' sacks sellin' for life
If you pull a shyste off to the fiends
Then gank 'em and leave 'em hangin' for the sake of come up
Yeah, takin' ends, and we'll split ya, lost it in the stick up, yeah
We better shank 'em, thank 'em, fuck it, I thank 'em, and hope for respect
'Cause shit, he got sacrificed, my snatchin' a life in the midst of the dark
And I sped off with the quickness, strikin'
Send a knife to the back of a playa hater, hate a thug
And they thought that I bruise easily
Come, they go through this little, (spin 'em)
Most of what goes around, comes around
Ooh, bla-bla-bloody mess even though hoes really wanna test us
To the chest, Flesh buck buck, haters guess with a gun
They change in a whole new muthafuckin' attitude
[Chorus]
[Layzie]
Nigga, let me in
Double glock and never about to change, man
To the temple I aim and claim to gain control
Fin to rid your soul, creep or roll
Put some pressure on these hoes that, yo
They pose as foes, gotta let 'em know
Got a nation of my niggas out to back me
Got another nation--killas out to try to jack me
Exactly, what the fuck you thought you was gon' pull
Fool, try to jack a St. Clair true, you lose, you lose
Nigga, I'm a tell you 'bout these haters distraction
They down with the puffin', the passin', 1ookin' for some action
Facts and stacks, never will my mission collapse
If you really want a thug, then you better pin these raps
And a I'm a give a little game in this world that we livin' in it
Sinnin' in it, and it really ain't free to me
You get it how you take it, but the only way you'll make it
Givin' peace to the G-O-D, your Lord
And it really don't mean that evil's gonna quit
Because the hater's gonna hate, and then the real - it's gon' feel
But I bet that after all of y'all fall
that the faker's gonna perish in the fire
Dip, and you know when I'm rollin'
I'm equipped with the Ruger on my hip with the infrared beam
And I gladly put it on ya from the land of California
Leavin' all of y'all goners, if you know what I mean
Yeah, so quick to test us, jump off in the Lexus with K.B
We gonna take a little journey around the world and see what we see
Any y'all niggas comin' with me So, come on
[Wish]
Let me up in here and kill 'em
Feel 'em niggas wanna bite the Bone, bite the Bone
Didn't a muthafucka say I'm wrong
Well I get down for mine, for my nine and blow
We shoot 'em up, buck
Yeah, strange we erupt on playa hation
Anybody hatin' Erase 'em
And biters, everytime I see you on T.V.
it makes me feel good
'Cause I know when we run up on you
you'll see we, we gotta get paid good
Nigga, don't shit come for free in this land of poverty
Bone in harmony, we hungry
Since it's all about money, give Bone a little bit of that evil money
Don't gather the fly shit, fuckin' with Cleve, top of line in my Benz
Should I 1et 'em spin on all of y'all,
should let my 20s spin on all y'all haters
Everything we write, I swear, it's all original
Niggas mad at Bone because we be all original (all original)
[Krayzie (Flesh)]
Better not be so quick test us
(May they lay, they lay, may they lay, may they lay, may they lay)
'Cause we'll come to kill ya, now
We'll kill ya, now